The Shining (1980) by Tim Dirks The Shining (1980) is creative director Stanley Kubrick's intense, epic, gothic horror film masterpiece - a beautiful, stylish work. The Shining - A married couple (Jack Nicholson, Shelley Duvall) with a small son are employed to look after a. The shining book synopsis,Best FREE alternative to Amazon Products Research. The Shining (1980) on IMDb: Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that. Way back in November of 2009 we got word that Stephen King was working on a sequel novel to The Shining, the book on which the classic Stanley Kubrick. The Shining is a 1980 British-American psychological horror film produced and directed by Stanley Kubrick, co-written with novelist Diane Johnson, and starring Jack. The Shining is a horror novel by American author Stephen King. Published in 1977, it is King's third published novel and first hardback bestseller: the success of the. Fan submitted reviews of the Movie Shining, The This Movie. Synopsis; Images; Reviews; Related Works. Shining, The (Novel) External Links. The Shining (novel) - Wikipedia. The Shining is a horror novel by American author Stephen King. Published in 1. 97. King's third published novel and first hardback bestseller: the success of the book firmly established King as a preeminent author in the horror genre. The setting and characters are influenced by King's personal experiences, including both his visit to The Stanley Hotel in 1. The novel was followed by a sequel, Doctor Sleep, published in 2. The Shining centers on the life of Jack Torrance, an aspiring writer and recovering alcoholic who accepts a position as the off- season caretaker of the historic Overlook Hotel in the Colorado Rockies. His family accompanies him on this job, including his young son Danny Torrance, who possesses .
Soon, after a winter storm leaves them snowbound, the supernatural forces inhabiting the hotel influence Jack's sanity, leaving his wife and son in incredible danger. The novel was adapted into a 1. Stanley Kubrick and co- written with Diane Johnson. Although King himself remains disappointed with the adaptation, having criticized its handling of the book's themes and of Wendy's character, it is regarded as one of the greatest horror films ever made. The history of the hotel, which is described in backstory by several characters, includes the deaths of some of its guests and of former winter caretaker Delbert Grady, who succumbed to cabin fever and killed his family and himself. The plot centers on Jack Torrance, his wife Wendy, and their 5- year- old son Danny, who move into the hotel after Jack accepts the position as winter caretaker. Jack is characterized as an aspiring writer. Jack hopes that the hotel's seclusion will help him reconnect with his family and give him the motivation needed to work on a play. Danny, unknown to his parents, possesses telepathic abilities referred to as . Dick Hallorann, the chef at the Overlook, also possesses similar abilities to Danny's and helps to explain them to him, giving Hallorann and Danny a special connection. Although Danny is close to his parents, he does not tell either of them about his visions because he senses that the care- taking job is important to his father and the family's future. Wendy considers leaving Jack at the Overlook to finish the job by himself; Danny refuses, thinking his father will be happier if they stayed. However, Danny soon realizes that his presence in the hotel makes the supernatural activity more powerful, turning echoes of past tragedies into dangerous threats. Apparitions take form and the garden's topiary animals come to life. The Overlook has difficulty possessing Danny, so it begins to possess Jack by frustrating his need and desire to work. Jack starts to develop cabin fever and becomes increasingly unstable. One day, after a fight with Wendy, Jack finds the hotel's bar fully stocked with alcohol despite being previously empty, and witnesses a party at which he meets the ghost of a bartender named Lloyd. As he gets drunk, the hotel urges Jack to kill his wife and son. He initially resists, but the increasing influence of the hotel proves too great. He becomes a monster under the control of the hotel, succumbing to his dark side. Jack attacks Wendy with one of the hotel's roque mallets, but she escapes to the caretaker's suite and locks herself in the bathroom. Jack attempts to break the door with the mallet, but Wendy slashes his hand with a razor blade to deter him. Meanwhile, Hallorann receives a psychic distress call from Danny while working at a winter resort in Florida. Hallorann rushes back to the Overlook, only to be attacked by the topiary animals and severely injured by Jack. As Jack pursues Danny through the Overlook, he briefly gains control of himself only long enough for Danny to run away. The hotel takes control of Jack again, causing him to violently batter his own face and skull with the mallet so Danny can no longer recognize him. Remembering that Jack has neglected to relieve the pressure on the hotel's unstable boiler, Danny informs him that it is about to explode. As Danny, Wendy, and Hallorann flee, Jack rushes to the basement attempting to vent the boiler but is too late to prevent it from exploding and destroying the Overlook. Fighting off a last attempt by the hotel to possess him, Hallorann guides Danny and Wendy to safety. The book's epilogue is set during the next summer. Hallorann, who has taken a chef's job at a resort in Maine, comforts Danny over the loss of his father as Wendy recuperates from the injuries Jack inflicted on her. Background. They were the only two guests in the hotel that night. This is where room 2. In 1. 97. 2, King started a novel entitled Darkshine, which was to be about a psychic boy in a psychic amusement park, but the idea never came to fruition and he abandoned the book. During the night at the Stanley, this story came back to him. They were offered one choice for dinner, the only meal still available. Taped orchestral music played in the room and theirs was the only table set for dining. So the music is echoing down the hall, and, I mean, it was like God had put me there to hear that and see those things. And by the time I went to bed that night, I had the whole book in my mind. He ended up in the bar and was served drinks by a bartender named Grady. He was being chased by a fire- hose. I woke up with a tremendous jerk, sweating all over, within an inch of falling out of bed. I got up, lit a cigarette, sat in a chair looking out the window at the Rockies, and by the time the cigarette was done, I had the bones of the book firmly set in my mind. You always hide what you're confessing to. That's one of the reasons why you make up the story. When I wrote The Shining, for instance, the protagonist of The Shining is a man who has broken his son's arm, who has a history of child beating, who is beaten himself. And as a young father with two children, I was horrified by my occasional feelings of real antagonism toward my children. Won't you ever go to bed? And time has given me the idea that probably there are a lot of young fathers and young mothers both who feel very angry, who have angry feelings toward their children. But as somebody who has been raised with the idea that father knows best and Ward Cleaver on 'Leave It To Beaver,' and all this stuff, I would think to myself, Oh, if he doesn't shut up, if he doesn't shut up.. So when I wrote this book I wrote a lot of that down and tried to get it out of my system, but it was also a confession. Yes, there are times when I felt very angry toward my children and have even felt as though I could hurt them. Well, my kids are older now. Naomi is fifteen and Joey is thirteen and Owen is eight, and they're all super kids, and I don't think I've laid a hand on one of my kids in probably seven years, but there was a time.. The first draft of The Shining took less than four months to complete and he was able to publish it before the others. King considered that a compliment. The epilogue was thought to have been lost, but was re- discovered in 2. The idea was prompted by the occasional person asking, . Are you interested in reading either of these? If so, which one turns your dials more? Journal of Popular Culture. Journal of Popular Culture. Plume 1. 98. 4^Vvdailypress. Archived October 1. Wayback Machine.^. Starmount House 1. Bare Bones: Conversations in Terror with Stephen King'. Entertainment Weekly (1. Sleep Sequel Confirmed. Seriously Exhaustive Analysis of 'The Shining' Shows Kubrick's Inversion of King's Novel. The documentary Room 2. And there is good reason for viewers to puzzle over the film 3. The Shining tends to be opaque, even though its corridors are well- lit. I recently found what is arguably the most exhaustive examination of how Kubrick adapted Stephen King's novel into the script he wrote with Diane Johnson. Click below to read the post and see how Kubrick took King's novel and made movie history! Unlike Kubrick's famously unrealized biography of Napoleon, The Shining got made. Stanley Kubrick wrote and directed The Shining with the intention of turning out a blockbuster, after the lush but relatively financially unsuccessful Barry Lyndon. The Shining, more than any other of his films, has inspired hundreds of thousands, if not millions, of words devoted to finding the meaning behind the film, even though, or, especially because, Kubrick himself was reluctant to discuss possible interpretations of his films, leaving it to the viewer to make up their own mind. I don't want to get pilloried in the comments!) None of which stopped blogger Jonny. Shining analysis on the internet. It will definitely, as Jack Torrance promised Wendy, . Prepare to go through the looking- glass, people. Jonny. 53's final conclusion seems to be that the numbers in the film point us towards 1. Mayan Apocalypse back in the 7. He does make the excellent point that most of the people who have put forth interpretations of the film over the years have never actually read the novel, and that what Kubrick did with the novel, and what he did with all of the novels he adapted to the screen, was to alter the content so that the story would be cinematic rather than literary. This is a challenge facing all filmmakers who are adapting someone else's work (or even their own, from a different format). You absolutely cannot have a thorough understanding of Stanley Kubrick’s Shining without looking at what he did to Stephen King’s story. Ignoring the novel is crazy.. He’s inverted them. Here is an exhaustive list of all the changes between novel and film. In the movie they’re brought to The Overlook in a yellow VW and have a red Sno- cat up at the hotel. They're also saved in a red Sno- cat. In the movie Jack throws his yellow ball and in the novel Danny plays with his red ball. Stanley Kubrick didn't just change the colors, he inverted the colors Stephen King uses in the novel for these major props. Look once at the VW in the opening credits of the movie; you’ll never forget that yellow color. Ask anyone who’s seen the film, they will be able to tell you what color the VW is. Ask anyone who’s read the novel and they probably won’t. Hiding in Plain Sight. In the novel, the scrapbook containing The Overlook's sordid past is a major plot device, and Jack becomes obsessed with it and possessed by it. In the movie, it's seen only in passing, but has the same effect. When Jack discovers the scrapbook, he loses interest in writing anything but that one phrase, and becomes obsessed with doing the . This is how, according to Jonny. Jack . But we barely see the scrapbook, an element from the novel Kubrick made subtly cinematic and almost subliminal without the heavy exposition of the novel, in which the provenance of the scrapbook is related in exacting detail. To him, it's a film about ESP and telekinesis (note the number of Calumet cans behind Jack and Halloran's heads, respectively, while they are . Jack Torrance has four more cans than Halloran, meaning he . In the novel, Wendy is a smart, independent blonde; in the film, she is Shelley Duvall's mousey doormat; in the book, there is no hedge maze, but rather hedge animals which move constantly; in the novel, The Overlook hotel wants Danny for his power, but in the film, the hotel has no power at all, only a sort of . In the film, both Jack and Wendy have the power of . They can move furniture, and even make chairs appear and disappear at will (also note the scrapbook in the foreground). Who Opens The Door? For many viewers, the question of whether or not we are dealing with the traditional cinematic supernatural is answered in the scene where Jack is released from the freezer, evidently by the ghost of Grady, the former caretaker. This is never made totally explicit (in the novel, we see that it is a ghostly Grady who leaves a drink and mallet for him outside the door, while in the film, the opening of the door is deliberately ambiguous). BNaddv. SPWj. 0. But Jonny. Jack and Dick Hallorann both have the same supernatural ability. It’s no stretch of the movie's reality to see that Jack also “shines” when he’s locked in the storeroom. It’s obvious that his ability to supernaturally move things (telekinesis), and not the ghost of Delbert Grady, is what unlatches the storeroom door releasing him.. The Shining is about, people with an unusual ability. There’s no law that says Stanley Kubrick can’t change, or hide from the audience, which cast members have this special ability, and just exactly what that ability is. In the novel, Halloran lies in order to get up to The Overlook. In the movie, he always tells the truth (which means, if we believe what he says to his friend Larry Durkin, that Ullman can . For any Shining fanatic, or anyone interested in how a master filmmaker took a classic novel and adapted it into a classic film, this is required reading. I personally think Jonny. Kubrick is subliminally encoding the date of the impending Mayan apocalypse (that's called apophenia), but Jonny. The Shining, and moviemaking, a great service with his incredible eye for detail. Is Jonny. 53 onto something here? What's your experience been when adapting work? How did you handle the transition to a script or movie? What are some of your favorite theories about The Shining? Link: Jonny. 53's The Shining Blog.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
September 2017
Categories |