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During the three days that he was in a coma and pronounced clinically dead, Stanley shared that Jesus appeared to him, showed to him a film of his entire life, then told him that he needed to go back to the world to propagate the devotion to Divine Mercy. Thus, on the third day, Stanley suddenly sat up and took out all of the life support systems attached to him. The nurse who was monitoring him ran away terrified. Stanley was found completely normal. The lead doctor, who proclaimed the case a miracle, was so touched by the experience that he decided to enter the priesthood. Stanley’s case was thoroughly examined by the Vatican. Read the prophecies given to Maria Divine Mercy. Prophecies about End Time, Warning and Second Coming of Jesus. Subscribe Subscribed Unsubscribe. Stanley quit his job and now goes all around the world proclaiming his testimony on the Divine Mercy a full- time basis, with the blessings of the Church hierarchy and under the guidance of Cardinal Ricardo Vidal of Cebu. Fruits of His Testimony. Stanley’s testimony has touched the lives of numerous people. A Central Bank employee, conscience- stricken after hearing Stanley’s testimony, decided to return the P4. A group of prisoners in a jail in Agusan del Sur, who were previously planning to stage a riot, repented after hearing Stanley’s talk. In Cebu, a very depressed Aglipayan woman, who invited Stanley to give a talk in their church, changed her mind on plans to commit suicide, after hearing his testimony. Muslims and Protestants alike have been moved. He has been invited to speak in many countries on his experience, and the Divine Mercy devotion. In Mexico, in the Shrine of Our Lady of Guadalupe, Stanley spoke to thousands of people and hundreds of priests and bishops. The amazing fruits of Stanley’s testimony, as well as the medically- unexplainable manner with which he recovered from a state of clinical death, provide us with ample reason to believe in the authenticity of his experience, and provides a powerful witness to the Divine Mercy devotion. A Preparation for the Second Coming of Christ. In the messages to Stanley, as well as in the messages given to St. Faustina, Jesus emphasized that the Divine Mercy devotion is a preparation for His Second Coming. In His message to Stanley on 1 April 1. Jesus said: “. In recent apparitions and private revelations, such as Our Lady’s messages to Fr. Gobbi of the Marian Movement of Priests, as well as the apparitions in Akita, Africa and Medjugorje, Our Lady emphasized the urgent need to repent since time is “running out”. It should be noted also that the Lord Jesus said to St. Maria Faustina Kowalska of Poland: “You will prepare the world for My final coming. It is a sign for the end times; after it will come the day of justice.” (St. Faustina’s Diary: Divine Mercy in My Soul)Time to Prepare! If Jesus’ imminent return to the world is near, then our foremost priority should be to prepare for this momentous event! Just like a basketball game, we are in the “last two minutes” — only this time the stakes are much, much higher: the fate of our souls for all eternity. How do we prepare then? The answer, of course, is prayer, particularly the prayers recommended by Jesus the Divine Mercy Himself. Jesus admonishes us to pray the Chaplet. He said to Stanley: “Pray, pray the Chaplet and recommend it to all, as the last hope of salvation. Information about the Feast of Divine Mercy and the message of Jesus through St. Faustina Kowalska, who was canonized by pope John Paul II. Mary Leads Couple to Mercy - After hearing about the Divine Mercy Message from. The daylong celebration of the 'secretary of Divine Mercy' made it pretty. Second North American Congress on Mercy Set to Begin. Why would Christ emphasize in our time a doctrine, the Divine Mercy, which has been part of the patrimony of the Faith from the beginning, as well as request new devotional and liturgical expressions of it? New Book Revealing Truth about Maria Divine Mercy and her 'Warning Second Coming' Enterprise. Encourage people to pray the Chaplet without ceasing.” This message of praying the Chaplet without ceasing was repeated to Stanley numerous times: “Pray, pray, the Chaplet without ceasing, it will be a shield against the enemies.”Note that Jesus did not say “pray the Chaplet daily.” He encourages us to pray the Chaplet without ceasing. If we are prepared, the Second Coming of Christ should not be a cause for worry or fear but a source of boundless hope and joy! For at last, the time will come when all our toils and sufferings in this world will end; when sickness and death will be no more; when emotional pains and hurts will cease. If we prepare well, it will be the magnificent moment when we will at last claim our glorious crown, and will say with St. Paul (2 Timothy 4: 1- 8): I have fought the good fight, I have finished the race, I have kept the faith. From now on there is reserved for me the crown of righteousness, which the Lord, the righteous judge, will give me on that day, and not only to me but also to all who have longed for his appearing. The Second Coming of Christ will take place in your lifetime. According to this book which contains a series of incredible messages and prophecies to an Irish seer, our present generation will witness the Second Coming of Christ. Click here to read a book review that summarises the key messages of the book. Get our Free Newsletter! Get the latest articles straight to your inbox - Free! Click here to return from The Divine Mercy Devotion and the Second Coming of Christ to Second Coming. THE DIVINE MERCY AND THE SECOND COMINGWhy would Christ emphasize in our time a doctrine, the Divine Mercy, which has been part of the patrimony of the Faith from the beginning, as well as request new devotional and liturgical expressions of it? In His revelations to St. Faustina Jesus answers this question, connecting it to another doctrine, also sometimes little emphasized, that of His Second Coming. In the Gospel the Lord shows us that His first coming was in humility, as a Servant, to free the world from sin. Yet, He promises to return in glory to judge the world on love, as He makes clear in his discourses on the Kingdom in Matthew chapters 1. In between these Comings we have the end times or era of the Church, in which the Church ministers reconciliation to the world until the great and terrible Day of the Lord, the Day of Justice. Every Catholic should be familiar with the teaching of the Church on this matter, contained in paragraphs 6. Catechism of the Catholic Church. Only in the context of public revelation as taught by the Magisterium can we situate the words of private revelation given to Sr. Faustina. You will prepare the world for My final coming. It is a sign for the end times. After it will come the Day of Justice. While there is still time, let them have recourse to the fountain of My mercy. But woe to them if they do not recognize this time of My visitation. Faustina gives us the Words of the Mother of Mercy, the Blessed Virgin,You have to speak to the world about His great mercy and prepare the world for the Second Coming of Him who will come, not as a merciful Savior, but as a just Judge. Oh how terrible is that day! Determined is the day of justice, the day of divine wrath. The angels tremble before it. Speak to souls about this great mercy while it is still the time for granting mercy. However, it is also clear that we have reached some critical phase of the end times that began with the birth of the Church. To this fact Pope John Paul II alluded at the consecration in 1. Shrine of Merciful Love in Collevalenaza, Italy, when he noted the . Electronic Family (The Compilation) . Artist: Armin van Buuren, Markus Schulz, Ferry. Beatport is the world's largest electronic music store for DJs. Instantly find where to watch your favorite movies and TV shows. With WhereToWatch.com, you can discover when your favorite movie or TV show is playing, or if you can. Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for. Bill Laswell & Masahiro Shimba: Dubopera. Dubopera is a cross label project with ESP Disk CD release coming soon on ESP Disk featuring: Nessun Dorma, Time To Say. BAD NEVER SOUNDED SO GOOD. Bad Company Release Rare And Previously Unreleased Tracks As Part Of Remastered Deluxe Editions Of Their First Two. CD- R Trading Page. CD- R Trading Page. Commercially unavailable music for trading. Nothing on this page is for sale! King, Freddie King, Sam Kinison (not exactly music, but still . Rex, Uncle Tupelo, the Dwight Twilley Band, the Velvet Underground, Tom Verlaine, Loudon Wainwright III, Tom Waits, M. Ward, Dean Wareham, Dionne Warwick, Mae West, Speedy West and Jimmy Bryant, Chris Whitley, Wilco, Lucinda Williams, Cassandra Wilson, Amy Winehouse, Stevie Wonder, World Saxophone Quartet, Link Wray, the Yardbirds, Lester Young, Rachel Z, Frank Zappa . If I contact you about a trade, I will mail your CDs out first. If you contact me, I expect you to mail mine out first. All titles are from either bootleg CDs/CD- Rs or decompressed from lossless . MP3 or other inferior sources (with one or two exceptions, as indicated), and recorded DAO on quality discs, such as TDK, Sony or Fujifilm. Of course, I expect the same in return. I don't use generic or Memorex CDs, and I will not accept them for trades. I generally extract with Exact Audio Copy, as many traders insist this ensures the best quality. This is a free program available here. I'm not picky about what kind of hardware or software you use, so long as the results are satisfactory. All titles listed are soundboard or broadcast recordings unless otherwise indicated. I've given everything a rating based on technical quality, and I've tried to be as objective as possible. A = excellent: comparable to an official release - - or else really, really close. B = good: solid and enjoyable, such as a fairly clean, well- balanced audience recording. C = fair: still listenable, but with serious problems, such as a distant, noisy audience recording - - not for the casual listener, but fans might appreciate it. D = poor: unlistenable by common standards, but of possible interest to hardcore fans. F = severe technical problems, of interest mainly to collectors or completists. Unless otherwise requested, I don't write on CDs, I ship CDs without cases in individual CD envelopes, identified on the envelope or with a post- it, in bubblewrap- padded mailers, mailed first class within the United States or air mail overseas. I ask that you do the same. I cannot print artwork, but I'll be happy to e- mail scans (or track listings) when available. I do have a number of downloads on my hard drive that I have yet to review or add to my list (mostly further items from the artists already listed), so feel free to ask about titles you are seeking that aren't listed. I'm in this to have fun and share music I enjoy. I'll make every reasonable effort to ensure that our trades are mutually satisfying. My current wants include any Sinatra titles I don't have, concerts and rarities by other pop/jazz vocalists (particularly Ella Fitzgerald, Peggy Lee, and Al Hibbler), and a VHS or DVD copy (commercial or homemade) of With a Touch of Burlesque (HBO, 1. Sid Caesar and Imogene Coca. A- /A). Have You Got It Yet? A- /A). Have You Got It Yet? Star Club, Copenhagen, 1. September 1. 96. 7 + Hippy Happy Fair, Oude Ahoy, Rotterdam, 1. November 1. 96. 7, audience recordings, from . Copenhagen: C, instruments clear but vocals faint; Rotterdam: B+). Have You Got It Yet? A- /A). Have You Got It Yet? Syd Barrett, from . A). Have You Got It Yet? A- /A). Have You Got It Yet? David Gilmour and Nick Mason, from . B+). Have You Got It Yet? A- /A). Have You Got It Yet? Pink Floyd Out of Phase Stereo mixes, from . A). Have You Got It Yet? Barrett solo Out of Phase Stereo mixes, from . A- /A). Last Recording Session (Dimeadozen. CD- R) (instrumental tracks, Abbey Road Studios, 1. August 1. 97. 4, approx. A- /A). Various Artists: Madcap's Last Laugh (Syd Barrett tribute concert) (Dimeadozen. CD- Rs) (2 CDs, Barbican Center, London, England, 1. May 2. 00. 7) (featuring Pink Floyd ! Ebbetts Sound System, CDC 0. LP) (A). The Decca Audition (Dr. Ebbetts Sound System PMC6. A). Live! December 1. CDs on 2 CD- Rs, audience recordings) (D/C, a few performances incomplete). Mach Schau (His Mother's Voice SPEP 1. B+, music, D/C). The Star Club (Secret Trax ST 2. CDs, John, Paul, George & Ringo, live at the Star Club, Hamburg, Germany, 2. December 1. 96. 2, audience recordings) (D/C, a few performances incomplete). Live (0. 1): Star Club (Purple Chick/Darth. Disc PC 1. 57/1. 58) (2 CDs, John, Paul, George & Ringo, live at the Star Club, Hamburg, Germany, 2. December 1. 96. 2, audience recordings) (D/C, a few performances incomplete). Live (0. 2): Before America (Purple Chick PC 1. CDs, various live performances, May 1. January 1. 96. 4, remastered) (from . B- /B+, some tracks incomplete). Live (0. 3): Conquering America (Purple Chick PC 1. CDs, various live performances, February- June 1. B+/A- , a few tracks incomplete). Live (0. 4): Adelaide Reaction (Purple Chick PC 1. CDs, various live performances, June 1. C/B, some tracks incomplete). Live (0. 5): Seattle Down (Purple Chick PC 1. CDs, various live performances, July- August 1. C/B, some tracks incomplete). Live (0. 6): Convention Hall Wisdom (Purple Chick PC 1. CDs, various live performances, September- October 1. C- /B+, some tracks incomplete). Live (0. 7): Les Beatles en Europe (Purple Chick PC 1. CDs, various live performances, June- August 1. B- /A- ). Live (0. Sheaken, Not Stirred (Purple Chick PC 1. CDs, various live performances, August 1. C- /B). Live (0. 9): Bowled Over (Purple Chick PC 1. CDs, various live performances, August 1. D/B+). Live (1. 0): Far East Men (Purple Chick PC 1. CDs, various live performances, June- July 1. B/B+, a few tracks incomplete). Live (1. 1): The Last Tour (Purple Chick PC 1. CDs, various live performances, August 1. D/B, some tracks incomplete). Live (1. 2): The Launch Interruption (Purple Chick PC 1. CDs, rooftop concert) (from . A). PLEASE PLEASE ME (U. K. Ebbetts Sound System PMC 1. LP) (A). PLEASE PLEASE ME (U. K. Ebbetts Sound System MFSL- 1- 1. Mobile Fidelity Sound Lab LP) (A). PLEASE PLEASE ME (U. K. Ebbetts Sound System MFSL- 1- 1. Mobile Fidelity Sound Lab LP) (from . A). PLEASE PLEASE ME (U. K. Ebbetts Sound System, PCS 3. Ebbetts Sound System PCS 3. LP) (A). PLEASE PLEASE ME (U. K. Ebbetts Sound System VJLP- 1. U. S. Ebbetts Sound System VJLP- 1. U. S. Ebbetts Sound System SHZE 1. LP) (A). PLEASE PLEASE ME / WITH THE BEATLES (CDMAXIMUM CDM 0. A). PLEASE PLEASE ME - Deluxe Edition (Purple Chick PC- 1. CDs, stereo and mono mixes + session outtakes) (A). The Alternate PLEASE PLEASE ME (2. Pear Records PCD 0. B+/A). The Alternate PLEASE PLEASE ME (2. Pear Records 6. 33. A- /A). She Loves You, Too (compilation) (various professional and amateur attempts to create a simulated stereo mix of . A). WITH THE BEATLES (U. K. Ebbetts Sound System PMC 1. LP) (A+). WITH THE BEATLES (U. K. Ebbetts Sound System MFL- 1- 1. Mobile Fidelity Sound Labs LP, from . A). WITH THE BEATLES (U. K. Ebbetts Sound System PCS 3. WITH THE BEATLES (Canadian wide stereo mix of WITH THE BEATLES) (Dr. Ebbetts Sound System ST6. LP) (A). WITH THE BEATLES (U. K. Ebbetts Sound System PCS 3. LP) (A). PLEASE PLEASE ME / WITH THE BEATLES (CDMAXIMUM CDM 0. A). The Alternate WITH THE BEATLES (2. Pear Records, number unknown or unnumbered) (from . A- /A). WITH THE BEATLES - Deluxe Edition (Purple Chick PC- 1. CDs, stereo and mono mixes + session outtakes) (A). TWIST AND SHOUT (Canadian Capitol LP, mono) (Dr. Ebbetts Sound System T 6. LP) (A). TWIST AND SHOUT (Canadian Capitol LP, stereo) (Dr. Ebbetts Sound System ST 6. LP) (A). MEET THE BEATLES (mono) (Dr. Ebbetts Sound System T 2. LP) (A). MEET THE BEATLES (stereo, 2. Dr. Ebbetts Sound System ST 2. LP) (A). THE BEATLES BEAT (German stereo) (Dr. Ebbetts Sound System 1. C 0. 72- 0. 4 3. 63) (remastered from LP) (A). Stockholm 1. 96. 3/Decca Audition Tape (origin unknown) (. Yellow Dog Records YD 0. A). Unsurpassed Masters Vol. Yellow Dog Records YD 0. A). Unsurpassed Masters Vol. Yellow Dog Records YD 0. A). Unsurpassed Masters Vol. Yellow Dog Records YD 0. A). Unsurpassed Masters Vol. Yellow Dog Records YD 0. A- /A). Unsurpassed Masters Vol. Yellow Dog Records YD 0. A- /A). Unsurpassed Masters Vol. Yellow Dog Records YD 0. A). Ultra Rare Trax, Vol. The Swingin' Pig Records TSP- CD- 0. A). Ultra Rare Trax, Vol. The Swingin' Pig Records TSP- CD- 0. A). Back- Track (BT 6. A). Back- Track, Part Two (BT 6. A). Back- Track, Part Three (BT 6. A). Hold Me Tight (Toasted Records/Condor 1. A). Casualties (Dr. Ebbetts Sound System SPRO- 9. LP) (A). Sessions (Adam VIII CD 4. A). Anthology Extra (OMI 1. A). Anthology More (OMI 9. CDs, assorted outtakes, demos and live rarities, several officially released tracks removed) (from . B/A). Anthology Outtakes, Vol. Beat Central CT- 2. CDs, assorted outtakes, demos and live rarities) (from . B/A). Anthology Outtakes, Vol. Beat Central CT- 2. CDs, assorted outtakes, demos and live rarities) (from . A- /A). Anthology Outtakes, Vol. Beat Central CT- 2. CDs, assorted outtakes, demos and live rarities) (from . A- /A). Anthropology (Silent Sea SS 0. A- /A). Mythology, Vol. Strawberry Records STR 0. CDs, interviews, radio shows, alternate takes, alternate mixes) (A- /A). Mythology, Vol. 2: 1. Strawberry Records STR 0. CDs, interviews, radio shows, alternate takes, alternate mixes) (A- /A). Mythology, Vol. 3: 1. Strawberry Records STR 0. CDs, interviews, radio shows, alternate takes, alternate mixes) (A- /A). The Ultimate . 2 (Black Dog Records BD 0. C/B). Hodge- Podge, Vol. Black Dog Records BD 0. C/B). Hodge- Podge, Vol. Black Dog Records BD 0. C/B). All Too Much (Westwood One/On the Radio Rarities on Compact Disc, Vol. A- /A). Acoustic Submarine (Teddy Bear Records, number unknown) (2 CDs, assorted demos and outtakes) (no artwork, from . A- /A). Not for Sale (Adam VIII CD 4. B+/A). Complete Control Room Monitor Mixes (Scorpio, number unknown) (3 CDs, off- line recordings of monitor mixes) (no artwork, from . B). Playback One (Silent Sea SS 1. CDs, off- line recordings of monitor mixes) (no artwork, from . B). Playback Two (Silent Sea SS 1. CDs, off- line recordings of monitor mixes) (no artwork, from . B). Playback Three (Silent Sea SS 1. Bill Laswell Presents: M. O. D. Technologies. What's the famous line from Hunter S. Something about the music business being a wanton cesspool where thieves. Maybe it was the TV industry - I forget. Nevertheless, for all the horror stories you. Wall Street, Main Street or Easy Street, there's always the exception - the one person who has worked patiently. Garrison Hawk is just such an artist. Survive, his long- awaited solo debut, caps more than a decade of hard work in the trenches. All that's about to change. Musically, Survive is a futuristic hybrid of styles covering hardcore dancehall, reggaeton, hip- hop and even country & western - all a. Hawk's wide- ranging tastes and his multi- culti upbringing. A native of Mandeville, Jamaica, he moved to the Bronx as a teenager and. Shabba Ranks (one of his boyhood. Hawk started popping up on underground singles like . That could be Toots and the Maytals, Peter Tosh, Johnny Cash or Bruce Springsteen - for me it was always. I learn so much over. I can see it so clear now. When I was much younger, I probably put out a lot of immature and rushed stuff. I went into this with the idea. I need to do something meaningful. A chance. meeting with Tricky, who had made his mark with Massive Attack and his own trip- hop classic Maxinquaye, led to an unusual partnership that. Hawk to a larger audience for the first time. Tricky's 2. 00. 1 album Blowback marked a complete retooling of his sound, and on. For sheer versatility, it's reminiscent of Hawk's recent work with Sly & Robbie (on 2. Version Born). as well as his vocal step- outs on Method Of Defiance's Jahbulon, released in 2. But more than anything else, this is the sound of someone who has. It's beyond mere boasting or toasting; Hawk is taking reggae and dancehall into new territory, where music. Now that's saying something.* * *How did you first hook up with Sly & Robbie? I met Sly and Robbie through my old manager . I'd done work with them before when I was with Tricky. When I was signed. Palm Pictures, Chris Blackwell suggested that I should do some stuff on Sly and Robbie's record, so that's where I ended up working with. Bill Laswell. That was the first time we all worked together. But I first got introduced to Sly and Robbie when I was working with Eric, through Warner Records. The agreement was that the company. London. That's when I actually met them up in the studio, in the city. Basically I tell. Robbie, when I meet up with him, we was hanging out and it was a really cool vibe, and I just tell him, . I went back to Jamaica to work with. Which studio was that in Jamaica? It was Anchor Studios. They use their whole - they have their own people, like the Jamaican dream team, you know what I mean? They. brought in Sticky Thompson and Bongo Herman and all the top musicians for the foundation. Sly and Robbie have always had this laid- back vibe as a production team - but man, they get a lot of work done. For me, it was a dream to work with them at that point, because I was always a fan of the stuff that they did. I just always believed that. I mean? So when I get to work with them, basically. It's like, you're seeing these guys lay. Sly is the most amazing drummer I've ever seen, and the way they do their thing is so different and original. So they put time into it, and a lot of effort in getting the record. I mean, I remember Black Uhuru coming out, and from that time, right there that was the biggest shit in the '8. Usually in Jamaica, Sly and Robbie could pretty much pick anybody to do their stuff, and when they heard what I had, they started. I guess to them, they figured it would be something different for the reggae market, and that's something they've. What you're doing is completely different too. You're rhyming hard, but you're also singing too. Can you talk about your style. You know what, for me man, I never really think of music like there's a limit to it. For my ears, I hear sounds, and whatever inspire me, I intend. I'm captured by it. I just like to put my own twist to stuff. I usually like to stay off the backs of what everybody else do, so basically for me to. There's no definition. I can just get up and do it to sing, or I could just get up and do it for. For me, it just seems so natural and normal and easy, you know? It all has to do with what. I hear and what I feel. I like to express myself according to how I hear it, so that's why all of this comes out. How old were you when you first realized that this was what you were gonna do? Oh man, I think I realized this when I was about 1. For me, it was just a hobby - I was just basically on the street, working out and. I do. I was thinking that I'm gonna be ending up doing. I been there and I tried stuff, and I worked, but I just never seemed to be that kind of. I couldn't fit in, in terms of getting a degree to go get this job or whatever. Just doing music for the fun of it, it seemed like the only. This is the only thing I think I'm supposed to do, because I never feel comfortable doing anything else. So. I stick to it and I put my time and effort into it. When you first decided that you wanted to commit to music, were there any key artists who influenced you? Oh, yeah. I used to love Toots and the Maytals, and Peter Tosh, and Shabba Ranks when he came out, and also the American and British. Led Zeppelin and Bruce Springsteen and Peter Gabriel. So it was always open, for the whole scenario. There was always something. I used to be more into American music than even the Jamaicans. Back home I would listen to Motown - Marvin Gaye and the. Temptations, real soul music. I think all of that is an influence. I never really limit the kind of music I listen to. When was the first time you hooked up with Tricky? Well, I hooked up with him probably around '9. I was working on my own record, for AV8 Records. I did a demo and I went there to shop. I was doing some stuff with Roger Sanchez and Armand Van Helden and those guys. I figured I was just gonna finish up my demo and. AV8 because they were over there. And my cousin was a close friend with Tricky - one of his best friends - and he let Tricky hear. I was working on, and Tricky was like, . So I said to my cousin, . I don't know the guy, but I figure it's worth a try. So he suggests and he begs me not to go to AV8 Records with this, and I should just have him deal with it, and he'll get us this deal at Hollywood. Records. And I hang out with him a while and I was like, okay, let's see what happens. Then we got the deal and we did the record by his place - . Brooklyn. So Tricky opened me up to who he was and what he does and how big this can be, and I figured I was gonna try and see. I take my shot with him, and he brought me to Chris Blackwell, and he was blown away too, and right there he. Palm Pictures. I actually signed to Tricky's label first, to Durban Poison, and then to Palm. So we did the record, and I was surprised because it took off and did well, and we had a tour with Tool, you know? Those guys are amazing. I would never be able to tell that a record like that would get to that level. Blowback was a pretty radical change for Tricky, I remember. Yeah. It was really an adventure, man. What's behind the title of your new album Survive? I think the thing that stand out from naming the record Survive, basically where it's coming from is that for this record to get out. It's been a while when this record shoulda been out, and it never got out, and it. Bill make it possible. So in a sense, for us, it's just survival to get this stuff out there. And in another sense, for what we seen that's going on right now - we could make some sense out of it for what's going on in the world. For people who is going through the struggles and who have the. So it's really going out. What has it been like working in the studio with Bill Laswell? You know how it goes with Bill. I basically had to leave Bill to just do what he do. I take instruction from him because I know Bill is a genius. So I just really take my instructions and go there - he'll. Normally, I would probably rush in to do a lot of songs a certain way, and he'll direct me in a way. This is it - this is the shot. If you're gonna give a message, you have to be this. You have to be sure and you gotta be positive about what you're doing. If it's not in the right key range or the right sound, he'll suggest not to do it - not to rush it. For me, it's an amazing. I'm overwhelmed that I did this record with Bill. When it came to writing the songs, did it all come to you very quickly? Did you go away to think about ideas and lyrics? How. did that work? You know, I try to take the time out to think for some time, but it would never come to me. So basically what happen - you know this. I can't even write a word down, you know what I mean? Most of the time it's just a vibe and. So it all had to do with expression, and how I got to express myself. How do you feel now that the record's finished? Man, I'm excited, dude - you know what I mean? I seen that we've put a lot of work into it, and I seen we're on it day by day and. I just wanna be out there to do some shows so people get some of the realness, you know, and. So that's why at this moment we're trying to set up this tour thing - . Where do you feel like your sound is right now? I think I'm on top of the game right now, because for all the years I've been in the business and doing so much work, it's been an experience. Maybe it's a good thing that nothing happen. So I'm majorly into what I'm doing right now. What inspired the song . It's just really a dancehall thing from being in Jamaica, to get loose and free themselves. And for. real, I can picture it in the summer here too, where people are just driving around and bumping it in the car, and it just make you feel a summery vibe. There's a song called . I think we're saving that one. You know that track with the Police that Puffy did with Biggie Smalls? In Jamaica, I grow up with country music on the radio station, and I'm a big fan. Due Fantagenitori - disegno da colorare a video. NEWSLETTER 2 e. Books in PDF in regalo se ti iscrivi! 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